Posts tagged: CMYK

Xerox Iridesse – After the glitter settles! Well what if? or Sure why not?!

Marc Mascara
 Jul 2, 2018

Xerox unveiled their latest production printing press during two jam-packed events in the US and Europe. The first event took place May 9th outside Rochester, NY at the Xerox Gil Hatch Center for Customer Innovation — the largest digital print showcase in the world.

Images courtesy of Xerox – Iridesse launch Webster, NY

 

Customers, prospects and the media were invited to the unveiling of the Iridesse press and given the opportunity to kick the tires. The second reveal took place on May 23 in Warsaw, Poland during the 2018 Xerox Forum, where Xerox Premier Partners (customers) and Graphic Communication Resellers attended.

Image courtesy of Xerox – Iridesse launch Warsaw, Poland

 

Both events could be worthy of an Oscar with the pomp and circumstance of a professional product reveal that introduced the global availability of the press.

My colleague Ralf Schlozer’s first impressions of the Iridesse, launched by Fuji Xerox last December, can be found in the post Fuji Xerox Iridesse – Two specialty colours is better than one. I invite you to re-visit Ralf’s blog for all the launch and specific details of the press while I answer the philosophical question of “do printer’s need a press like the Iridesse now that the glitter and dust have settled?”

So, if you ever worked production you know that manufacturer suggested limits are always ignored, especially if you need to get a job out or when client work is accepted in lieu of going to the competition. You see this in the offset world all the time and that is why successful print companies know that being able to configure equipment for different needs trumps equipment with a “wow” factor. Print customers first question is always can you do this, and the printer wants to respond sure, why not?! Digital equipment sometimes puts the printer into the “what if” situation. Basically, well what if we do this instead?

Quality CMYK for the most part is expected in this class of press, but in terms of flexibility, print providers expect numerous options for not only resolution but multiple halftone screens. Having the ability to respond to real time production needs based on image quality and media range gives production the flexibility to confidently accept work. Iridesse meets that challenge with Ultra HD Resolution which delivers 1200 x 1200 x 10 bit RIP resolution and 2400×2400 imaging resolution, enabling screening options from stochastic to fine line screens up to 600 dpi.

Image courtesy of EFI – Xerox EFI Exp6 5/6 color image Viewer

 

Media plays a huge role in just how many jobs and what type of work a print provider can accept. Just as in offset, digital presses must address a wide array of media while running at rated speeds. I would say most equipment manufacturers are fighting it out on this front regarding the range of media weights and types being supported. Iridesse tops out at 400gsm but gives a respectable range from 52 to 400gsm. Production flexibility comes into play when the print providers press supports a wide array of media types and weights, multiple pick points  (i.e., multiple paper trays), that allow for a broad range of supported media and media sizes along with multiple insertion options all running at rated speed. To meet these extreme requirements Xerox equipped Iridesse with technologies integrated throughout the press called “Mixed Media Xceleration”  giving the operator a wide array of run time media options with no slowdown of output.  Its this production flexibility that digital press manufacturers continue to expand upon, driving machine innovations which adds to the acceleration of the offset to digital migration and the continued ability to drive manual labor cost out of the production process. With that said, Iridesse is highly configurable, supporting many finishing scenarios from square fold to booklet making with Plockmatic’s advanced capabilities, again reducing the overall production touch points with greater production flexibility.

One could say that most digital press manufacturers are competitive in all these areas offering their own set of production capabilities, but Xerox upped the ante by making the print order of colors configurable without the need for a service technician!  As in the offset world, you just run a cleanup and change ink, or in this case you swap out the dry toner. As a PSP, you not only have the ability with Iridesse to produce 4, 5 and 6 color work, but you can self-configure which special color will underlay and overlay the CMYK opening a whole host of design capabilities for high value applications.

Xerox calls this snazzy feature “EZ Swap” which allows operators the ability to swap and run two specialty dry inks in a single pass. The key phrase is single-pass. Just imagine what you could do with a press that supports multiple pass capabilities with very accurate registration. I think offset press operators can see where I’m going with this.  Xerox has tapped into one of the last frontiers left for digital press capabilities in opening the ability for the operator to decide the dry ink lay down order with multiple specialty colors and to expand that capability with multiple passes.

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Fuji Xerox Iridesse – Two specialty colours is better than one

Ralf Schlozer
 Dec 6, 2017

Less than a year ago, InfoTrends published a multi-client study: “Beyond CMYK: The Use of Special Effects in Digital Printing”. Not only did we find that many printers voiced a strong interest in specialty colours and the desire to have several effects as an option, they also indicated that having two specialty colour stations in the press is their preferred option.

Less than a year later, Fuji Xerox launched the Iridesse Production Press at the Fuji Xerox Premier Partner Conference on the 14th of November in Bangkok for the Asia Pacific market.

For the first time in dry toner production printing, a print engine has been equipped to print six-colours, adding two colour channels to complement process colour print with different specialty colours, including metallic, in a single pass. The Iridesse houses up to two additional specialty toners of gold, silver, clear and white, in addition to standard cyan, magenta, yellow and black. One specialty colour is in front of the CMYK units and one behind, therefore the Iridesse can underprint with one specialty colour, and overprint with another (or the same) in one pass.

Fuji Xerox also revamped toners. CMYK toners are made of Super EA Eco toner, which is Fuji Xerox’s smallest particle size toner to date, citing a particle size of 5 micron for the colour toner. The Super EA Eco toner is able to fuse quickly at a low temperature, and is able to evenly transfer six layers of toners. Another patented improvement is flat metal flakes being embedded into the metallic toner particles. The flat metallic flakes should improve the shininess of metallic prints, and some improvement over the gold toner of the Color 1000i can be noticed – although digital metallic print remains far less shiny than foiling or the like.

A unique feature of the Iridesse is being able to print hues of metallic tones in one pass, by printing silver or gold first and overprinting it with CMYK. Other toner printers would need multi-pass printing, and in offset printing each of the metallic hues would need to be mixed first. This can reduce the effort drastically in hitting metallic effects beyond plain silver or gold. The press supports metallic colours found in colour catalogues such as Pantone Metallic and Pantone Premium Metallic. By using these colour swatches, the operator can reproduce colours similar to Pantone metallic colours by simply designating the colour codes. Also, since the press offers more hues than found in the Pantone swatches, Fuji Xerox has a range of predefined metallic colours on top.

Print sample showing metallic overprinted with CMYK

 

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Beyond CMYK: The Digital Print Enhancement Opportunity

Jim Hamilton
 May 30, 2017

I love print. I particularly love it when it knocks my socks off. I’m a fool for gloss varnishes, metallic foils, velvet finishes, neon colors, and lenticular images. You get the picture. I’m also a huge digital print advocate. Yet much of production color digital print is process color only. Cyan, magenta, yellow, and black are great, and they are perfect for a lot of work, but sometimes I yearn for more. Maybe it’s that I’ve been spoiled by all the fantastic capabilities of offset print.

CMYKplus collage

InfoTrends estimates that 30% of offset printed color pages have some type of enhancement beyond the four process colors. I often refer to this as “CMYK+.” CMYK+ may be a spot or flood coat, a Pantone color, a metallic gold or silver ink, opaque white, or a range of other value-add special effects. Sometimes print will even use a combination of two or more special effects. All in all, this amounts to more than a trillion color offset pages that have some type of an enhancement beyond process color in promotional document applications. How many digital pages have such special effects? Read more »

Mal Baboyian and the New Canon Océ Colorado 1640

Jim Hamilton
 Mar 10, 2017

Mal Baboyian has 45 years of industry experience, an extremely long job title, and a lot of responsibility at Canon. He’s the Senior Vice President of Canon U.S.A.’s Business Imaging Solutions Group for Océ Product Marketing and Support. This covers a wide range of Océ-branded products, including two exciting new devices: the ProStream continuous-feed color inkjet printer and the Colorado 1640 64″ wide format UVgel roll-to-roll printer. This week at the One Canon press/analyst event in Boca Raton, Florida was the worldwide unveiling of the Colorado 1640 and Baboyian thinks it is Océ’s most important wide format graphic arts product introduction in 25 years. To say that he’s excited about this product would be an understatement—and this is a man who has seen quite a few wide format products. For one, he has helped Canon Océ to reach 6,000 unit placements worldwide in the very successful Arizona product line.

Here’s a quick summary of why Baboyian is so excited about the 1640. First off, it is very fast and quite affordable (MSRP, $58,000). Ink consumption and overall running costs are projected to be at quite attractive levels. In addition, the new Canon-developed UVgel inks have a large color CMYK gamut, give off little or no odor, dry immediately, and use low-temperature LED curing. Some very innovative supply and quality control features (to be explained shortly) top off the list.

Canon Océ Colorado 1640

Canon Océ Colorado 1640

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Eight Print Sample Videos from Graph Expo 2015

Jim Hamilton
 Sep 28, 2015

I’ve recorded eight short videos (each is between two and five minutes long) that highlight some interesting print samples from Graph Expo 2015:

I hope you enjoy these. I’ll be adding some more Read more »

The Top Ten Trends from PRINT 13

Jim Hamilton
 Sep 27, 2013

These are InfoTrends’s top ten trends from PRINT 13:

  1. Who was there? Who wasn’t? Agfa’s departure from the show floor over the summer added another important company to the small cadre of vendors skipping the show (Heidelberg, Kodak, and Screen). In truth, Kodak actually did have a booth, a smallish one at the very back of the show floor, but it wasn’t what you would typically expect out of them. Of much greater importance was Kodak’s participation in others’ booths, including Konica Minolta (for Creo and Prinergy) and Adphos (for the Prosper Imprinting heads). And though the timing of Kodak’s emergence from Chapter 11 may have made a big presence unadvisable, it was nevertheless a missed opportunity to show off the new Kodak to its core audience. It is also clearly time for Kodak to name a new leader who will bring the market knowledge and vision for the next chapter in the company’s history. This has dragged on way too long. Read more »

A Few Examples of Beyond Four Color Print

Other Posts
 Jul 11, 2013

While researching and writing the analysis piece, Production Color Digital Print Capabilities Beyond Four Color, I had the chance to sit in on a webinar sponsored by Mcardle Solutions about how designers can apply special effects using the capabilities of Mcardle Solution’s HP Indigo 7600. For participating in the webinar, I received a calendar produced by Mcardle Solutions that features some of these special effects, this video blog showcases some of my favorites.

 

For more information on beyond four color special effects we encourage you to visit these links:

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A Future Beyond Four Colors

Other Posts
 May 28, 2013

In 2008, InfoTrends published a blog entitled, Beyond Process Color Digital Printing: Approaches to Additional Colors, Special Effects, and MICR, discussing vendors that offered one or more imaging units

in addition to the four traditional process colors (CMYK). Today, we have seen leaders in the high-end electrophotographic market, such as HP, Kodak, and Xeikon, expanding the capabilities of their devices to provide additional efforts to accommodate five or more print stations also known as, “5+” colors, during production. There has also been some activity in off-line digital devices that provide the ability to add value to a printed page through the application, typically via inkjet heads, of a gloss coating or some other effect. New entrants to the offline market such as, Scodix and MGI, are a few of these offline companies entering this market.

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Hybrid Inkjet Samples Printed by the Kodak S10 Series Imprinting System

Jim Hamilton
 Apr 27, 2012



Jim Hamilton of InfoTrends discusses two print samples: a Front Row Movies mailer and a Sorori fashion catalog that were produced by Kodak customer The Lettershop Group using a Kodak S10 Imprinting System with CMYK. Both jobs were printed on 170-gsm Galarie Silk.

A discussion of these print samples is also part of a new white paper called “High-Speed Monochrome and Color Inkjet in Hybrid Configurations” that is available as a free download on the InfoTrends web site.

A Video Look at Digital Color Samples from Graph Expo 2010

Jim Hamilton
 Oct 21, 2010

In this video I discuss a set of print samples from Graph Expo 2010 and explain how they relate to the following trends:

  • Formats larger than 12 x 18
  • Cut-sheet color products using chemical toner
  • Effects that go beyond CMYK
  • High-speed color inkjet printing on coated paper
  • Color inkjet envelope printing

I hope you enjoy the video. If you have comments or questions, please let me know. If you have innovative samples you’d like me to see, please send them to: Jim Hamilton, InfoTrends, 97 Libbey Industrial Parkway, Suite 300, Weymouth, MA, 02189

2016 InfoTrends, Inc.

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